Please note that the 2015 Copyright Amendment Bill will go before Parliament in 2017. Once it is enacted, the Copyright law will change quite a lot and these Guidelines will then be revised.
What is copyright?
The SA Copyright Law No. 98 of 1978 (as amended) gives authors and creators a ‘bundle’ or ‘suite’ of exclusive rights over their original works, for a certain period.
What works are protected under copyright?
Literary, musical and artistic works, cinematograph films, sound recordings, broadcasts, programme-carrying signals, computer programs and published editions.
What are the rights of authors and creators?
They have the sole or exclusive right to authorise that their works be –
- reproduced in any manner or form;
- published;
- performed in public;
- broadcast;
- transmitted in a diffusion service
- adapted/translated
Copyright provides authors and creators with an incentive to create new works and derive some economic benefits for their efforts.
How long are works protected by copyright? Subject to exceptions depending on the category of work, the term of copyright protection is the lifetime of the author/creator plus 50 years from the end of the year in which the author dies. The publisher also has copyright in the published version for 50 years from the end of the year in which the edition is first published. When the copyright term expires, the work goes into the public domain, which means that it is no longer protected by copyright and it may be used and reproduced freely (with proper acknowledgement).
May users of information use and reproduce copyrighted works?
Yes, the Copyright law has some “limitations and exceptions” to the exclusive rights of the author.
Section 12(1) of the Copyright Act allows “Fair Dealing”. Fair Dealing is not defined in the Act, so one has to use one’s discretion when using other people’s intellectual property. Anyone may make a reasonable portion of a work (with proper acknowledgement), for the following purposes, without having to apply for copyright permission:
- for research or private study,
- for personal or private use,
- for criticism or review
- for reporting current events (such as in a newspaper or broadcast),
Section 12 (2-4) allows copying, without permission –
- for using the work for judicial proceedings, or for a report of such proceedings,
- for quotation ,
- “by way of illustration” for teaching purposes (such as placing an extract of a work on an overhead projector or in a PowerPoint presentation, to highlight aspects of a lecture or training session).
Section 12 (5-11) has other exceptions.
May teachers/learners copy for teaching/educational purposes?
Yes, in terms of Section 13 (Copyright Regulations), a teacher may give a limited number of separate/single handouts to learners in a classroom situation without having to get permission. The copies, however, may not be included in compilations (e.g. study-packs/course-packs) or handed out with other copyrighted material. A learner may make a single copy for a teacher, at his/her request, for teaching, preparation for teaching, or research purposes.
There are a lot of publications and digital works that allow reproduction for non-commercial or educational purposes, without having to get permission. You would need to check the copyright notices inside the printed publications or read the copyright notices on websites. There is also a great deal of free and open access content on the Web. However, remember not all material on the Web is free. Many websites and electronic databases have strict copyright conditions and you may only use or copy their material in terms of their licence agreements. Proper acknowledgement must always be given, even if the material is free.
Try using some of these resources instead of copyrighted material (N.B. Check licence conditions, where applicable):-
Open Access (OA) Resources – http://www.openculture.com
http://libguides.wits.ac.za/openaccess_a2k_scholarly_communication
Open Educational Resources (OERs) – http://libguides.wits.ac.za/Open_Educational_Resources
Downloadable OA books – https://www.gutenberg.org http://www.doabooks.org
OA Images – http://libguides.wits.ac.za/openaccess_a2k_scholarly_communication/OAImages
May teachers/learners show or watch a film, video, DVD, etc. for teaching or other educational purposes?
Yes, in terms of Sections 12 and 16, a part/extract of a film, video or DVD may be shown to learners to “the extent justified by the purpose”, for teaching, critical review or other educational purposes (NOT for entertainment purposes). However, a full-length film, video or DVD may not be shown without permission, unless the licence specifically allows this, or it is free without restrictions, e.g. OA material, Open Educational resources (OER) and/or under a Creative Commons licence (http://creativecommons.org). TED and YouTube films may be shown to learners for educational purposes in their original online format. However, they may only be downloaded if they are free or open access resources, or if prior copyright permission has been obtained.
Without prior copyright permission, you would be infringing the SA Copyright law if you were to:
- copy a whole book or journal, or major portion of a book or journal (including an out-ofprint book), except in special circumstances,
- copy sheet music, commercial audiotapes, videos, CDs, DVDs, films or other original works,
- translate, adapt, modify or convert material into different or alternative formats (even for persons with sensory disabilities),
- make copies, beyond the limits permitted in Section 12 (Fair Dealing) and Section 13 (Regulations),
- scan, digitise or place material on the Web, where permission is specifically required,
- download multiple copies of material from electronic databases or the Internet, where permission is specifically required,
- play copyrighted music or perform a copyrighted musical for a public audience or at a school event, e.g. fete, disco, assembly, cultural event or other public event, perform a copyrighted play or drama for a public audience or at a school event, e.g. assembly, concert, cultural event, etc.
- show a full-length copyrighted video, film or DVD to a public audience or at a school event, e.g. assembly, concert, cultural event, entertainment, etc.
- reproduce copyrighted hymns or show them on slides for a public assembly or congregation,
- create, replace or substitute anthologies, compilations or collective works,
- make copies of, or from, works intended to be ephemeral, including workbooks, exercises, standardised tests, test booklets and answer sheets, or similar ephemeral material,
- make copies to substitute for the purchase of books, publishers’ reprints or periodicals,
- provide reproductions of copyrighted works for users/learners to copy from,
- make a backup copy of a computer program or an authorised copy, other than for personal or private purposes.
May a librarian make copies for teachers or library users?
Yes, a librarian may make a single copy of a reasonable portion of a work for a teacher or other library user, as long as it is for research or private use. Sub-clause 3(f) permits a librarian to obtain a single copy for a teacher or library user via interlibrary loans or document supply services. However, a librarian may not make multiple copies for a teacher or other library users, without prior permission from the rights-owners.
May a librarian make copies or format-shift for preservation purposes?
Sub-clauses 3(d), (e) and (h) permit preservation and/or replacement of works, with specific conditions. However, a librarian may not format-shift material for preservation purposes, e.g. convert VHS videos to DVDs, unless specifically permitted by their licences, or prior permission has been obtained from rights-owners. Digitisation of material requires prior permission.
Do libraries need to place copyright warnings near copying equipment?
Yes – Section 13(6) provides for copyright warning notices in libraries and archive depots. Section 13(6)(1) requires that the Copyright Warning Notice (see Pg. 4) should be displayed at the place where orders for copies are accepted by libraries or archives. The Notice should also be incorporated in all forms supplied by libraries or archives and used by users of the genera l public for ordering copies. It must also be placed where unsupervised copying equipment is located.
How does infringement affect the author or creator?
If authors’ published works are copied illegally, their works are not purchased, so they lose out on sales. This has a direct impact on their income. Prices of publications and other works increase as a result. It also discourages authors from creating new works. This could result in a shortage of educational publications. Buying pirated CDs or DVDs on the street corners not only affects the creators’ income, but raises prices in stores for honest customers and perpetuates crime in SA.
How does one apply for permission?
One would need to apply for permission directly to the publisher, author (for unpublished or outof-print material), Webmaster, newspaper editor, database supplier, film director, conference organiser, artist, broadcaster, computer director/programmer, e-database provider, or other copyright owners, as the case may be. For permission specifically to make photocopies or for performing plays, one can apply to the Dramatic, Artistic and Literary Rights Organisation (DALRO) (http://www.dalro.co.za). To copy music or play music for an assembly, event, etc., one can apply to the South African Music Rights Organisation (http://www.samro.org.za). To show or copy whole films, one can contact Motion Picture Licensing Company (MPLC) (https://za.mplc.com)
Useful Resources:
- Copyright Legislation & Related Resources http://libguides.wits.ac.za/Copyright_and_Related_Issues
- Copyright Guidelines for Educational Purposes http://libguides.wits.ac.za/Wits_Copyright_Guidelines
- Plagiarism, Citation & Referencing (incl. Tutorials) http://libguides.wits.ac.za/plagiarism_citation_and_referencing
- Resources for Persons with Disabilities & Other Guides http://libguides.wits.ac.za/prf.php?account_id=25548
Compiled by: Denise Rosemary Nicholson, Scholarly Communications Librarian Scholarly Communications & Copyright Services Office, University of the Witwatersrand, Johannesburg Tel. 011-717-1929 – email: Denise.Nicholson@wits.ac.za
N.B. This is not legal advice – it is a guide to assist schools when using copyrighted material. Should you require legal interpretation or advice, please consult an intellectual property lawyer.
Under South African copyright law, viewing a film outside of the home for entertainment purposes, is regarded as a “public screening” requiring permission from the Copyright owner in the specific territory, South Africa in the form of a public performance license. The use of films on school campuses, for purposes other than for educational purposes, regardless of venue and audience size, require such permission from the copyright holders for each film screened.
Since the recent introduction of the MPLC Blanket License to South Africa by the Motion Picture Licensing Company, hundreds of schools across the country – private and public – have taken advantage of this simple copyright solution and legal peace of mind to ensure film remains an integral part of every pupil’s extramural activities and free time relaxation. These schools continue to enjoy the magic and power of movies in so many ways, including:
• film adaptations of books and plays
• free time relaxation
• film clubs and ad hoc screenings via digital projectors, laptops and computers
• generating revenue through movie fundraisers
• movie nights to bring pupils and families together
MPLC Blanket License
Prior to the introduction of the MPLC Blanket License, it was exceptionally time consuming and cumbersome for schools to locate individual copyright holders to obtain permission timeously, each time for each film to be screened for any or all of the above purposes. To overcome these problems and facilitate easy legal access for the public screening of films for entertainment purposes, use by film clubs or fundraising, over 800 of the world’s top producers and distributors from across the world, including the major Hollywood studios and independent film/TV producers, authorized the MPLC to provide simple copyright solutions and legal peace of mind in more than 20 countries, across five continents, making MPLC the world leader in public film copyright compliance.
Unlimited Use of Films with Legal Peace of Mind
The MPLC Blanket License gives school administrators legal peace of mind by removing the risk of civil proceedings and/or criminal prosecution, by granting the entire campus, its pupils, teachers, parents and visitors, a public performance license for unlimited screenings of legally obtained films, whether rented or privately owned, without the need to report which titles are being screened, how often they were screened, how or where they were screened, or how many people attended.
For questions about our producers, obtaining permission in the form of the license, or any information regarding screening of films in public for entertainment purposes, use by film clubs or
fundraising, please contact the MPLC at (021) 465-6449 or email Liesl Ernst at LErnst@mplc.com or visit www.mplcsa.org. The application process is simple and the turnaround time to legal compliance is immediate and affordable.
For questions or further information on use of films for educational/teaching purposes, kindly refer to Section 12 and Section 16 of the Copyright Act No. 98 of 1978 (as amended) – see: http://libguides.wits.ac.za/Wits_Copyright_Guidelines/SA_Copyright_Law
Q. Does a school require a license (permission to use a film)
A. Yes. Whenever a film is shown in a classroom, or elsewhere on the school premises for leisure/ entertainment purposes, by film clubs or for fundraising, a public performance license is required. Section 12 (1-4) of the Copyright Act, Law No.98 of 1978 offers an exemption, but makes it very clear only films shown at a school establishment for educational purposes qualify for the copyright exemption.
Q. Who is responsible for obtaining permission in the form of a license?
A. The campus authorities or owners require a license, regardless of who facilitates the screening of the film.
Q. We own the DVD/film, so do we still need a license to view or show it in public?
A. Yes, permission is required to use a film for entertainment purposes, by film clubs or for fundraising no matter the format. The location requires a license regardless of who owns the audiovisual work. While you may own the actual DVD/film, you are only granted the right to view it in your home, not to show it in public.
Q. Can we charge admission?
A. No. The Blanket License is a non-commercial license – you cannot charge admission nor advertise titles for screening to the general public.
Q. How much does the Blanket License cost?
A. The MPLC Blanket License fee is based on the school’s socio-economic status per pupil but very affordable.
Q. Does the Blanket License cover us for all films at our school?
A. The MPLC License for schools provides your school with the widest possible selection from over 800 of the world’s top studios, film and tv producers and covers all use for entertainment purposes or use by film clubs regardless of the amount of pupils or amount of times the films is viewed.
Q. What type of film events are covered in our school?
A. All film screenings at schools for entertainment purposes or use by film clubs.
Q. What are the penalties?
A. Under the Copyright Act 1978 (as amended), damages can be claimed by the Copyright owner in respect of loss of income and/or potential loss of income, calculated retrospectively and/or criminal infringement penalties could result in a fine payable of up to R5 000 and/or 6 months imprisonment.
Q. Who will prosecute?
A. Any person or competent authority can report and lay a charge against illegal film screenings for entertainment purposes. SAFACT – The Southern African Federation Against Copyright Theft – is representing most film producers and studios and leading the fight against piracy and illegal screening of films in South Africa, working closely with the Police, DTI inspectors and Customs and Excise, to investigate and prosecute the illegal use of films.
If you have any further questions relating to obtaining permission for the public viewing/screening of a film for entertainment purposes, by film clubs or fundraising, please don’t hesitate to contact the MPLC at (021) 465-6449 or email lernst@mplc.com
For questions or further information on use of films for educational/teaching purposes, refer to http://libguides.wits.ac.za/Wits_Copyright_Guidelines or please contact Denise.Nicholson@wits.ac.za.